* Height of the chancel c. 90 ft.
further west than the cloister ranges, south west of Saint Marys Chapel
They are a fragment of the alm onry with part of a fine rib-vault and the complete abbot ’ s kitchen , one of the best preserved medieval kitchens in Europe (for England cf. Durham and Chichester). The date of its erection is not known. The second half of the C14 seems most likely. The
kitchen is square in plan but with fireplaces fitting the four corners so as to result in an octagonal interior. Octagonal truncated pyramid roof with tall lantern, crowned by a
further truncated pyramid roof with a yet smaller lantern and a tiny octagonal pyramid top. The external square is heavily enforced by curved buttresses. The windows are Dec,
of two lights, and simple in design. The fireplaces are arched, and the arches slightly chamfered. In the kitchen the Abbey museum , with many architectural fragments, a large number
of tiles and a m onum ent of the early c 13 to an Abbot (William Vigor f 1223?). Above the head a cinque foiled gablette.
gatehouse. The Abbey Gatehouse faces Market Street.
There are two entrances, one for vehicles and one for pedestrians. Depressed two-centred arches, double-chamfered without capitals. Above the pedestrians’ entrance is a two-light
window, and this is repeated symmetrically further 1. Where the Porter’s House is attached to the Gatehouse. This is of two storeys and has a big canted central bay-window with
battlements. The front is of six lights, the canted sides of two each.
barn. Close to the se comer of the walled Abbey area. It
is of stone and has a length of three bays plus porch plus two bays. The arms of Abbot Bere date it as c. 1500 or a little later.
The porch arch is four-centred and double-chamfered and has no capitals to rest on. On the short sides one window each in
the gable which is in the shape of an arch head filled with three cusped spheric triangles. Interior with collar-beam roof.
St J o h n . A c 15 church. With few hardly noticeable exceptions built after the collapse in 1403 of the Norman crossing tower.
Its tall w tower with its lively crown announces the approaching town and has been alone in announcing it since the towers
of the abbey have disappeared. The tower is the second tallest of any Somerset parish church (134-2-ft high). It deserves
close study from near to. It has set-back buttresses with a first set of shafts carrying pinnacles above the ground-stage,
The nave continued this system, but from fragments found it is certain that, when the triforium stage was reached, the c 13 was over (ball-flower decoration in the triforium arches). All that remains in situ is the outer s aisle wall, and here the C13 design was kept for five bays. Then there is clearly a break in the treatment of the vaulting springers, and it is assumed that it marks the period ofAbbot de Sodbury, i.e. the second quarter of the c 14. The outer wall as preserved has windows, round-headed inside but pointed outside. The w wall of the nave has, to the 1. and r. of the w portal, trefoiled recesses of the same kind as in the transept triforium. The west portal is not high. It is covered by a depressed pointed arch of English
c 13 type. Above this towards the w is a tympanum, and doorway and tympanum are framed by a stately, finely moulded arch on four orders of shafts. The tympanum is decorated
by blank stepped arcading with foiled or cusped heads. The centre arch is trefoiled, those to the 1. and r. have two rising
foils or lobes each.
The west portal faces into the galilee . This has tall trefoiled blank arcading inside (shafts with shaft-rings), an elegant norman doorway with segmental head inside and two orders of shafts
outside, and upper windows re-made probably in the C15.
At about the same time a crypt was built beneath the galilee
and then also beneath St Mary’s Chapel. The details of the
latter are clearly Perp, but those of the former are equally
clearly of the C13. To realize this it is only necessary to examine rib profiles and wall-shaft profiles. The explanation
of re-used materials is not wholly convincing. The vault under
the galilee consists of oblong bays with a longitudinal ridgrib and a short transverse ridge-rib against the ends of which
run the diagonal ribs which rise from the four corners. Monastic Buildings . The cloister was about 135 by 135 ft. On its e side was the oblong chapter house , on its
s side the refectory with an undercroft with a row of central supports. O f the w side little remains, s of the w end of the
Refectory was the detached square m onk s * kitchen with
two curved projections at the sw and se angles and four
central supports. The E range was continued to the s beyond the s wall of the Refectory by the dormitory range, also with an undercroft with middle supports. The undercroft was subdivided into three rooms, s of the Dormitory are the visible remains of the drains of the RERE-DORTER or lavatories.
But the most considerable remains of the monastic quarters
and a second at the bell-stage. The w doorway is uncommonly
large, has tracery in the spandrels, big leaf sprays in one hollow
of jambs and arch, and a niche to the 1. and one to the r. There
follows a six-light w window again with two niches, and then
the display on the N and s sides starts also. Up the centres of
the s and N sides and up from the apex of the w window rise
triangular shafts ending in the intermediate pinnacles of the
crown. The next stage and the bell-stage are one composition,
both very tall. The lower stage of the two is covered with twin
two-light panelling with two transoms, and the vertical lines
o f this are then taken up at the bell-stage by two four-light
bell-openings with two transoms. On top of this stands the
crown. Battlements pierced by arcading in two tiers. Big
square angle pinnacles with crockets, accompanied by junior
pinnacles and in addition by one which stands free of the
corner corbelled out on a gargoyle. It is these projecting shafts
and pinnacles which tend to make the crown look exuberantly
top-heavy. The intermediate pinnacles on the middles of the
sides whose source has been traced down to lower stages are
also accompanied by junior pinnacles.
The s side of the church is all embattled, with pinnacles on the porch and the transept. The porch is two-storeyed with
niches and a lierne-vault. The lower storey dates from 1428,
the upper from shortly before 1498. The transept has a fourlight window to the s, a five-light window to the E. The s chapel, to distinguish it specially, has five-light windows on
s and E. Then follows the short chancel with its seven-light E
window. The tracery below the transom is curious and capricious. It has no exact parallel anywhere. The chancel has
some traces of the building preceding the present. They have
been uncovered both outside and inside. But the chancel arch
belongs in its date to the chapel arches and the aisle arcades, i.e. the C15. The nave appears tall with its clerestory -Tightsome’ is the word used by Leland for it. The arcade is of
seven bays and piers of standard section, with four hollows,
the four little round capitals of the shafts sparingly decorated
with rosettes. Between the clerestory windows on angel-busts stand shafts which carry the Somerset roof of c. 1495-1500, a specimen not particularly ornate. The arches into the chancel chapels are lower and four-centred. The arches into the
transepts with their plainer mouldings could be pre-1403.
T h e transepts certainly existed then; for not only does the existence of a Norman crossing tower make the exist door). -sculpture . Small Italian C15 marble relief of the
Nativity (s aisle). Bought in Sicily. -Small ivory Crucifixus, Italian?, Baroque, -pain t in g . On the altar of the s transept.
Christ Crucified, with the Virgin, St John, and Ecclesia and
Synagogue, German (?), late c 15. Early in the C20 the picture
was in the church of Pepinster near Liege, -stained glass .
Chancel N, a good collection of C15 glass, put together so as
to give the impression of a complete window. The kneeling
figures at the foot specially handsome. -Chancel s, rather
more a patchwork of original glass. -vestments . Pall of
Abbot Whiting, with Assumpton and floral sprays. It must: have been a fine piece of embroidery originally. -Gremial (Apron) of Abbot Whiting, with an extremely pretty spray of Tudor roses. -plate . Elizabethan Chalice by Ions of Exeter;
Salver by John Bignell 1725; Salver and Flagon by Gurney &' Co. 1744. -MONUMENTS. In the chancel N and s Richard Atwell f 1476 and Jane Atwell f 1485. He was a wealthy cloth merchant and no doubt helped to pay for the church. Two similar tomb-chests. The brass effigies are lost. Against both
tomb-chests small figures between the usual panels with shields. -John Camell, c. 1470 (s transept). Alabaster effigy.
Against the tomb-chest angels and camels. -Tomb-chest (n
transept), large and with open lid. Quatrefoils with shields on the sides. Saint Benedict . The church was rebuilt by Abbot Bere c. 1520. His initials are over the N porch and on a roof-corbel in the n
aisle, w tower with set-back buttresses, tall two-light bellopenings with transom and Somerset tracery, a shaft ending in
a pinnacle between them, battlements and big square pinnacles accompanied by pinnacles which continue long shafts standing on the buttresses. The interior has the tower arch panelled between thin shafts. Arcade of four bays with the